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Grateful Dead Live at Milwaukee Performing Arts Center on 1972-10-24




Set 2 (ONLY)

Truckin' > Drums > The Other One > Philo Stomp > Space > He's Gone > The Other One, Casey Jones, Johnny B. Goode


Collection GratefulDead
Band/Artist Grateful Dead
Date October 24, 1972
Venue Milwaukee Performing Arts Center
Location Milwaukee, WI

Source SBD > Master Reel > ? > DAT
Lineage Apogee DAT > Tascam DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz Tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8
Transferred by Jamie Waddell and Patrick White


Reviews

Reviewer: Sgt. O'Reilly - - May 7, 2010
Subject: The Stomp That Made Milwaukee Famous
Should be called "Spillo" Stomp, sounds like Spill The Wine at one point.

And, Milwaukee & Performing Arts in the same sentence? 12 0z. curl orchestra?
Reviewer: mellowmymind5453 - - February 8, 2010
Subject: Phil bass
The Philo jam is just sick. I've heard some shows where Phil starts jamin alone to his muse, but this one's different and nearly perfect. Was a real treat to hear it. Very nice...
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Source: Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: TDK SA-100's; Microphones Set Up Upper seats Last Row Vince's Side; Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)
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Source: Taper: M. Laurentus; Loge/Taper Section Sec 57F,Row A,Seat 14; AT835B's- AT 8202’s-SONY TCD-5M-Cassette- Cassette-Tascam DR5 Line In-CD Wave- FLAC
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Source: Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Unknown Mics > Sony D-5